Kiss
Symphony - Alive IV [Digipak]
Label:  Sanctuary 
Date:  21-7-2003
Length:  0:00
Format:  CD
Genre:  Rock; Rock
    Track Listing:
      1.  
      Deuce    
      2.  
      Strutter    
      3.  
      Let Me Go Rock And Roll    
      4.  
      Lick It Up    
      5.  
      Calling Dr. Love    
      6.  
      Psycho Circus    
      7.  
      Beth    
      8.  
      Forever    
      9.  
      Goin' Blind    
      10.  
      Sure Know Something    
      11.  
      Shandi    
      12.  
      Detroit Rock City    
      13.  
      King Of The Night Time World    
      14.  
      Do You Love Me    
      15.  
      Great Expectations    
      16.  
      Shout It Out Loud    
      17.  
      God Of Thunder    
      18.  
      Love Gun    
      19.  
      I Was Made For Lovin' You    
      20.  
      Black Diamond    
      21.  
      Rock And Roll All Nite    
    Additional info: | top
      In the Kiss universe, more is always, well, more. With Symphony: Alive IV, the latest instalment in the masked rock marauders' live franchise, they have gilded the already overweening lily even more by hiring the 60-piece Melbourne Symphony to accompany them on 10 tracks. Like those who have gone before them--from Deep Purple's coupling with the Royal Philharmonic Orchestra back in 1970 to Metallica's 1999 pairing with the San Francisco Symphony--Kiss's symphonic partners add a dimension and complexity hitherto absent from their hard-rock ethos. But that's not necessarily a good thing since Kiss are true American primitives, and their anthemic songs work best in their raw, unvarnished state. The addition of the orchestra muddies their trademark sound: at times Paul Stanley's bombastic in-your-face delivery is strangled by an aggressive army of strings, which also tend to totally subsume Gene Simmons' sturdy bass playing. The symphony musicians (who all performed in Kiss makeup) are best appreciated on a lumbering beast of a song such as "God of Thunder", where they become an ominous presence adding menacing sound effects and a chilling dynamic as Simmons croaks out the lyrics, or on "Beth", which brandished strings in its original form. --Jaan Uhelszki